August 10, 2018
The venue where you screen your work isn’t the only thing, but it is one of the most important.
One of the great virtues of the BlackStar Film Festival’s endlessly engaging program of films is that the selection committee isn’t afraid of the avant-garde. There are daring movies of breathtaking formalism situated right next to romantic comedies and science fiction. The work of black avant-garde filmmakers has not been nearly as carefully documented nor examined, but there is much terrific work being done to which national outlets have not provided nearly enough coverage.
In short, there has been (and continues to be) amazing work made without the constrictions of traditional narrative. BlackStar is the only reliable place to find it.
A group of likeminded artists and curators sat down to discuss how nontraditional cinematic forms are being utlized and how different spaces and forms can help artists today. Directors Kevin Jerome Everson, Nuotama Frances Bodomo, Terence Nance, and curators Jheanelle Brown and Meg Onli got into the nitty-gritty of their processes on the Free Form panel and below is what they had to say.